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Jamey Aebersold Endowed Scholarship Fund

CalendarDecember 17, 2018
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Jamey JEN Interview 2017

CalendarMay 8, 2018
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Artist Spotlight: Jamey Aebersold

In 2017 at the Jazz Education Network (JEN) conference in New Orleans, Shed The Music caught up with legendary Jazz Educator Jamey Aebersold. Take a look and listen!

You Never Know

CalendarApril 17, 2018
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During one of the Jam Sessions at my Carnegie Center exhibit, we had about 45 or so people at the jam and about 12 people sat in. One adult sax guy, probably in his sixties from Cookeville, TN drove up with his saxes to jam with us. He then spent time upstairs at the exhibit and said that this was the best day of his life! He came to the Summer Jazz Workshops way back in the seventies at IU.

Another time, a gentleman stopped by the exhibit after seeing the sign outside and came in. He told the curator that his son uses my Play-A-Longs. It was suggested that he bring his wife in and look around. They stayed for 2.5 hours.

You just never know …

Jamey Aebersold on WHAS11

CalendarApril 10, 2018
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For those who missed Jamey’s Carnegie Center Exhibit in New Albany, Jamey made quite a few rounds doing media appearances and promotion for the event. Below is just one of the many stops on his journey. The following was featured on a local station, WHAS11, and features Jamey speaking on the exhibit, a bit of his history, and of course, the world-famous Jamey Aebersold Play-A-Longs.

“The Jazz Messengers” 1956

CalendarMarch 27, 2018
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“The Jazz Messengers” by Art Blakey & The Jazz Messengers from 1956

I grew up with this LP. Recently, I listened to this CD with the added tracks and realized how influential these tunes, the writing and the solos were in my teens and early twenties. In listening, I was transformed to being nineteen and sitting at a piano at IU showing Dick Washburn these fantastic chords and harmony. How exciting to be able to figure out a little of what was going on by the pros 62 years ago. Read the full article …

Learn to Mix Jazz Guitar Chords to Piano Chords

CalendarMarch 6, 2018
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Being a guitar player with a piano or keyboard player in your band can be one of the trickier situations to deal with in jazz. This mostly becomes a problem when we are discussing accompaniment or “comping.” Now, in my experience, most of the old-school cats will tell you that only one of you should be comping at a time. However, there are some opportunities for the two to have some interaction. There are some considerations to be observed when approaching this. A quick look at the keyboardist and you can decide who is going to comp for which soloist. Sometimes, the guitar player will be the main accompanist and sometimes it will be the keyboard player. Today, we will talk about a few of those including textures, rhythm, and voicings as a guitar player trying to add to what the keyboard player is already doing. It is important to always listen and only contribute when you feel that there is space for something. Many fellow “compers” will prefer it if you do not add anything to what they are doing. Therefore, it is important to check in with them once in a while and try to keep eye contact with your band mates in general. Read the full article …