Gospel and Jazz Music The advantage of learning to play gospel music as a kid growing up in church was gaining the ability to hear and play piano (or keyboard). No matter how many rehearsals we held beforehand, the set-list never stayed the same during the actual church service. We had no other option as
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Being a guitar player with a piano or keyboard player in your band can be one of the trickier situations to deal with in jazz. This mostly becomes a problem when we are discussing accompaniment or “comping.” Now, in my experience, most of the old-school cats will tell you that only one of you should be comping at a time. However, there are some opportunities for the two to have some interaction. There are some considerations to be observed when approaching this. A quick look at the keyboardist and you can decide who is going to comp for which soloist. Sometimes, the guitar player will be the main accompanist and sometimes it will be the keyboard player. Today, we will talk about a few of those including textures, rhythm, and voicings as a guitar player trying to add to what the keyboard player is already doing. It is important to always listen and only contribute when you feel that there is space for something. Many fellow “compers” will prefer it if you do not add anything to what they are doing. Therefore, it is important to check in with them once in a while and try to keep eye contact with your band mates in general.
Jazz is an amazing fusion of multiple genres, developed in New Orleans through African-American communities in the late 19th century. Although initially controversial, jazz found its place within popular culture and the scene is still thriving today – its relevance is seen in movies, games and continues to influence pop music immeasurably. Blending blues, ragtime, classical and other popular genres of the era, jazz drew on these influences and broke the rules of them all to create a highly distinct sound. As a beginner, learning jazz guitar can initially seem daunting. This tutorial will require some basic knowledge of chords, scales and harmony, but is beginner-friendly enough to give you a great introduction to playing jazz on your guitar. If you want to learn how to master jazz on guitar, practicing the following regularly will help you reach your goals faster as you begin to connect the dots.
Somehow, smiling while keeping his embouchure as he plays sax, Audley Reid is a sight to behold and a feast for the ears. The groove and funk spilling from his horn catches the audience in an acoustic vise.
He’s performed internationally including in his native Jamaica. A strong figure in the Chicago smooth jazz scene, he can easily slide from smooth to Caribbean to R&B or from Christian to straight-ahead. His CD titled “A Plays E” was ranked #3 by Smooth Jazz and More internet radio.
With an octopus-like grasp into the performing arts world, Bianca Rossini has done so much already: acting in films and TV dramas, and hosting her own TV talk show; writing, composing and performing music heavily influenced by her Brazilian roots; publishing a poetry book; dancing and even puppetry. The creative flow is unstoppable and her energy is infectious. She has just released the new CD “Vento do Norte” and this north wind is about to bring the jazz world much more hot music.