The final volume of this series concludes the set of twenty-four preludes, and further emphasizes some of the common ground between jazz, classical music and the many fertile traditions of folk and art music which have evolved throughout the world. The range of influences is, perhaps, even broader than in the previous volumes. Adagio Cantabile from the Pathetique Sonata, opus 13 (Beethoven), Ornithardy, Igor (Clare Fischer), Comrade Conrad (Bill Evans), and Amazing Grace (Trad./arr. Dobbins).
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